← Shades of red

Mulberry

Mulberry (#920A4E) is a dark, vivid red with a balanced feel. It has a hue angle of 330° and a lightness of 43%. Its strong saturation makes it eye-catching, so use it with intent and let neutrals do the rest.

#920A4EMulberry
Conversion

What Mulberry looks like, feels like and where it works.

Description

Mulberry (#920A4E) is a dark, vivid red with a balanced feel. It has a hue angle of 330° and a lightness of 43%. Its strong saturation makes it eye-catching, so use it with intent and let neutrals do the rest.

Psychology

Red is the color people notice first. It raises attention and energy, and is tied to appetite, passion and urgency, which is why it works for calls to action and sale banners, and why too much of it can feel tense. As a mid-toned shade, Mulberry sits comfortably in the middle: present but not heavy.

Meaning

In much of the West red stands for love, danger and stop. In China and many other East Asian cultures it is the color of luck, celebration and prosperity.

Why use this color

Mulberry is a confident accent. It carries white text well, so it works as a button, header or badge background. Pair it with its tints and shades for a complete scale.

Applications
  • Calls to action and sale banners
  • Food and drink branding
  • Error and alert states
  • Festive and celebration design
History

Red ochre is among the oldest pigments, found in prehistoric cave art. Later reds came from madder root, cochineal insects and vermilion; the synthetic dye alizarin, made in 1868, replaced madder.

Accessibility

White text on Mulberry has a contrast ratio of 8.83:1 (AAA); black text has 2.37:1 (fails). WCAG AA needs 4.5:1 for body text and 3:1 for large text and interface parts. Red and green are the pair most often confused in color blindness, so never use this color alone to mean success or error: add an icon or label.

ShadesMixed with black: darker and richer.
TintsMixed with white: lighter and softer.
TonesMixed with gray: quieter and less saturated.
HuesThe same lightness and strength, turned around the wheel.
TemperaturesPushed cooler on the left, warmer on the right.
50#FEF4F6100#FEE3EA200#FECADA300#FAA4BF400#EB759F500#D35184600#B43C6C700#920A4E800#721D41900#56122F950#34061A
Analogous
Complementary
Split complementary
Triadic
Tetradic
Square

Want to explore these on a wheel? Open the color wheel.

#920A4E
Typical visionAs most people see it
#313A4F
ProtanopiaReduced sensitivity to red
#55534B
DeuteranopiaReduced sensitivity to green
#9F002D
TritanopiaReduced sensitivity to blue
#4A4A4A
AchromatopsiaNo color, only light and dark

These are approximations to help you check that meaning never depends on color alone. Real vision varies from person to person.

White textQuote n. 31: there is no such thing as a bad color.
8.83:1
AAAAA
Normal textAAAAA
Large textAAAAA
Black textQuote n. 31: there is no such thing as a bad color.
2.37:1
AAAAA
Normal textFailFail
Large textFailFail
Open the contrast checker