← Shades of brown

Mink

Mink (#8A7561) is a medium, muted brown with a warm feel. It has a hue angle of 29° and a lightness of 58%. Its muted saturation keeps it calm and sophisticated, easy to live with in large areas.

#8A7561Mink
Conversion

What Mink looks like, feels like and where it works.

Description

Mink (#8A7561) is a medium, muted brown with a warm feel. It has a hue angle of 29° and a lightness of 58%. Its muted saturation keeps it calm and sophisticated, easy to live with in large areas.

Psychology

Brown is earthy, dependable and warm. It feels natural and unpretentious, and pairs easily with cream, green and terracotta. As a mid-toned shade, Mink sits comfortably in the middle: present but not heavy.

Meaning

Brown stands for soil, wood, coffee and leather: comfort, craft and reliability.

Why use this color

Mink is an easy supporting color. It is best as an accent, illustration or large heading color, with a lighter or darker partner for body text. Pair it with its tints and shades for a complete scale.

Applications
  • Coffee, food and craft goods
  • Interiors and furniture
  • Outdoor and heritage brands
  • Warm neutrals for text and borders
History

Earth pigments such as umber and sienna, named after Umbria and Siena, are among the oldest in use. Brown is also one of the oldest color words in English.

Accessibility

White text on Mink has a contrast ratio of 4.37:1 (fails for body text); black text has 4.79:1 (AA). WCAG AA needs 4.5:1 for body text and 3:1 for large text and interface parts. Red and green are the pair most often confused in color blindness, so never use this color alone to mean success or error: add an icon or label.

ShadesMixed with black: darker and richer.
TintsMixed with white: lighter and softer.
TonesMixed with gray: quieter and less saturated.
HuesThe same lightness and strength, turned around the wheel.
TemperaturesPushed cooler on the left, warmer on the right.
50#F9F6F3100#F0EAE4200#E3D9CF300#CEBEAF400#B19E8B500#97826D600#8A7561700#655544800#4D4032900#392E24950#201912
Analogous
Complementary
Split complementary
Triadic
Tetradic
Square

Want to explore these on a wheel? Open the color wheel.

#8A7561
Typical visionAs most people see it
#7C7660
ProtanopiaReduced sensitivity to red
#817B61
DeuteranopiaReduced sensitivity to green
#917070
TritanopiaReduced sensitivity to blue
#797979
AchromatopsiaNo color, only light and dark

These are approximations to help you check that meaning never depends on color alone. Real vision varies from person to person.

White textQuote n. 31: there is no such thing as a bad color.
4.37:1
AAAAA
Normal textFailFail
Large textAAFail
Black textQuote n. 31: there is no such thing as a bad color.
4.79:1
AAAAA
Normal textAAFail
Large textAAAAA
Open the contrast checker