← Shades of yellow

Frost

Frost (#E1E4C5) is a very light, muted yellow with a warm feel. It has a hue angle of 66° and a lightness of 91%. Its muted saturation keeps it calm and sophisticated, easy to live with in large areas.

#E1E4C5Frost
Conversion

What Frost looks like, feels like and where it works.

Description

Frost (#E1E4C5) is a very light, muted yellow with a warm feel. It has a hue angle of 66° and a lightness of 91%. Its muted saturation keeps it calm and sophisticated, easy to live with in large areas.

Psychology

Yellow is the brightest hue and the quickest to attract the eye. It feels cheerful and hopeful, but bright yellows tire the eye in large areas and need dark partners for text. As a light shade, Frost feels airy and gentle.

Meaning

Yellow means sunshine and joy, and also caution: it is the color of warning signs and taxis because it is seen from far away. Muted golds suggest warmth and value.

Why use this color

Frost is an easy supporting color. Dark text is easy to read on it, so it works as a surface, highlight or card background. Pair it with its tints and shades for a complete scale.

Applications
  • Highlights, badges and notices
  • Travel and education
  • Warning and caution signs
  • Accents on dark backgrounds
History

Early yellows were ochre and orpiment, an arsenic sulfide. Chrome yellow, introduced in the early 1800s, became famous in Van Gogh's sunflowers.

Accessibility

White text on Frost has a contrast ratio of 1.30:1 (fails); black text has 16.10:1 (AAA). WCAG AA needs 4.5:1 for body text and 3:1 for large text and interface parts. Do not rely on color alone to carry meaning: pair it with text, an icon or a pattern.

ShadesMixed with black: darker and richer.
TintsMixed with white: lighter and softer.
TonesMixed with gray: quieter and less saturated.
HuesThe same lightness and strength, turned around the wheel.
TemperaturesPushed cooler on the left, warmer on the right.
50#F7F7F3100#EBECE4200#E1E4C5300#C1C3AE400#A2A48A500#86896C600#6F7157700#585A44800#434432900#303223950#1B1C12
Analogous
Complementary
Split complementary
Triadic
Tetradic
Square

Want to explore these on a wheel? Open the color wheel.

#E1E4C5
Typical visionAs most people see it
#E9E1C3
ProtanopiaReduced sensitivity to red
#E9E2C6
DeuteranopiaReduced sensitivity to green
#E5E0DB
TritanopiaReduced sensitivity to blue
#E1E1E1
AchromatopsiaNo color, only light and dark

These are approximations to help you check that meaning never depends on color alone. Real vision varies from person to person.

White textQuote n. 31: there is no such thing as a bad color.
1.30:1
AAAAA
Normal textFailFail
Large textFailFail
Black textQuote n. 31: there is no such thing as a bad color.
16.10:1
AAAAA
Normal textAAAAA
Large textAAAAA
Open the contrast checker