← Shades of red

≈ Flame

#DA4F01 is closest to Flame in our library. Flame (#DA4F01) is a medium, vivid red with a warm feel. It has a hue angle of 22° and a lightness of 61%. Its strong saturation makes it eye-catching, so use it with intent and let neutrals do the rest.

#DA4F01≈ Flame
Conversion

What Flame looks like, feels like and where it works.

Description

Flame (#DA4F01) is a medium, vivid red with a warm feel. It has a hue angle of 22° and a lightness of 61%. Its strong saturation makes it eye-catching, so use it with intent and let neutrals do the rest.

Psychology

Red is the color people notice first. It raises attention and energy, and is tied to appetite, passion and urgency, which is why it works for calls to action and sale banners, and why too much of it can feel tense. As a mid-toned shade, Flame sits comfortably in the middle: present but not heavy.

Meaning

In much of the West red stands for love, danger and stop. In China and many other East Asian cultures it is the color of luck, celebration and prosperity.

Why use this color

Flame is a confident accent. It is best as an accent, illustration or large heading color, with a lighter or darker partner for body text. Pair it with its tints and shades for a complete scale.

Applications
  • Calls to action and sale banners
  • Food and drink branding
  • Error and alert states
  • Festive and celebration design
History

Red ochre is among the oldest pigments, found in prehistoric cave art. Later reds came from madder root, cochineal insects and vermilion; the synthetic dye alizarin, made in 1868, replaced madder.

Accessibility

White text on Flame has a contrast ratio of 4.11:1 (fails for body text); black text has 5.09:1 (AA). WCAG AA needs 4.5:1 for body text and 3:1 for large text and interface parts. Red and green are the pair most often confused in color blindness, so never use this color alone to mean success or error: add an icon or label.

ShadesMixed with black: darker and richer.
TintsMixed with white: lighter and softer.
TonesMixed with gray: quieter and less saturated.
HuesThe same lightness and strength, turned around the wheel.
TemperaturesPushed cooler on the left, warmer on the right.
50#FEF4F1100#FEE5DC200#FCCFBF300#FCAA8B400#F67746500#DA4F01600#B7450D700#913912800#702908900#541C03950#330C00
Analogous
Complementary
Split complementary
Triadic
Tetradic
Square

Want to explore these on a wheel? Open the color wheel.

#DA4F01
Typical visionAs most people see it
#786900
ProtanopiaReduced sensitivity to red
#9A8900
DeuteranopiaReduced sensitivity to green
#F02544
TritanopiaReduced sensitivity to blue
#7D7D7D
AchromatopsiaNo color, only light and dark

These are approximations to help you check that meaning never depends on color alone. Real vision varies from person to person.

White textQuote n. 31: there is no such thing as a bad color.
4.11:1
AAAAA
Normal textFailFail
Large textAAFail
Black textQuote n. 31: there is no such thing as a bad color.
5.09:1
AAAAA
Normal textAAFail
Large textAAAAA
Open the contrast checker
#DA4F01 Color — closest to Flame (HEX, RGB, Shades) · Tintly