← Shades of red

≈ Old Rose

#C37F88 is closest to Old Rose in our library. Old Rose (#C37F88) is a medium, moderately saturated red with a warm feel. It has a hue angle of 352° and a lightness of 67%. Its moderate saturation keeps it lively without shouting.

#C37F88≈ Old Rose
Conversion

What Old Rose looks like, feels like and where it works.

Description

Old Rose (#C37F88) is a medium, moderately saturated red with a warm feel. It has a hue angle of 352° and a lightness of 67%. Its moderate saturation keeps it lively without shouting.

Psychology

Red is the color people notice first. It raises attention and energy, and is tied to appetite, passion and urgency, which is why it works for calls to action and sale banners, and why too much of it can feel tense. As a mid-toned shade, Old Rose sits comfortably in the middle: present but not heavy.

Meaning

In much of the West red stands for love, danger and stop. In China and many other East Asian cultures it is the color of luck, celebration and prosperity.

Why use this color

Old Rose is an easy supporting color. It is best as an accent, illustration or large heading color, with a lighter or darker partner for body text. Pair it with its tints and shades for a complete scale.

Applications
  • Calls to action and sale banners
  • Food and drink branding
  • Error and alert states
  • Festive and celebration design
History

Red ochre is among the oldest pigments, found in prehistoric cave art. Later reds came from madder root, cochineal insects and vermilion; the synthetic dye alizarin, made in 1868, replaced madder.

Accessibility

White text on Old Rose has a contrast ratio of 3.12:1 (fails for body text); black text has 6.71:1 (AA). WCAG AA needs 4.5:1 for body text and 3:1 for large text and interface parts. Red and green are the pair most often confused in color blindness, so never use this color alone to mean success or error: add an icon or label.

ShadesMixed with black: darker and richer.
TintsMixed with white: lighter and softer.
TonesMixed with gray: quieter and less saturated.
HuesThe same lightness and strength, turned around the wheel.
TemperaturesPushed cooler on the left, warmer on the right.
50#FEF4F5100#F9E6E8200#F3D1D4300#E4B2B7400#C37F88500#B37079600#975A63700#7B464E800#5E343A900#46252A950#2A1316
Analogous
Complementary
Split complementary
Triadic
Tetradic
Square

Want to explore these on a wheel? Open the color wheel.

#C37F88
Typical visionAs most people see it
#8A8A88
ProtanopiaReduced sensitivity to red
#9B9687
DeuteranopiaReduced sensitivity to green
#CF7982
TritanopiaReduced sensitivity to blue
#929292
AchromatopsiaNo color, only light and dark

These are approximations to help you check that meaning never depends on color alone. Real vision varies from person to person.

White textQuote n. 31: there is no such thing as a bad color.
3.12:1
AAAAA
Normal textFailFail
Large textAAFail
Black textQuote n. 31: there is no such thing as a bad color.
6.71:1
AAAAA
Normal textAAFail
Large textAAAAA
Open the contrast checker
#C37F88 Color — closest to Old Rose (HEX, RGB, Shades) · Tintly