← Shades of red

≈ Kirsch

#B51E27 is closest to Kirsch in our library. Kirsch (#B51E27) is a medium, vivid red with a warm feel. It has a hue angle of 356° and a lightness of 50%. Its strong saturation makes it eye-catching, so use it with intent and let neutrals do the rest.

#B51E27≈ Kirsch
Conversion

What Kirsch looks like, feels like and where it works.

Description

Kirsch (#B51E27) is a medium, vivid red with a warm feel. It has a hue angle of 356° and a lightness of 50%. Its strong saturation makes it eye-catching, so use it with intent and let neutrals do the rest.

Psychology

Red is the color people notice first. It raises attention and energy, and is tied to appetite, passion and urgency, which is why it works for calls to action and sale banners, and why too much of it can feel tense. As a mid-toned shade, Kirsch sits comfortably in the middle: present but not heavy.

Meaning

In much of the West red stands for love, danger and stop. In China and many other East Asian cultures it is the color of luck, celebration and prosperity.

Why use this color

Kirsch is a confident accent. It carries white text well, so it works as a button, header or badge background. Pair it with its tints and shades for a complete scale.

Applications
  • Calls to action and sale banners
  • Food and drink branding
  • Error and alert states
  • Festive and celebration design
History

Red ochre is among the oldest pigments, found in prehistoric cave art. Later reds came from madder root, cochineal insects and vermilion; the synthetic dye alizarin, made in 1868, replaced madder.

Accessibility

White text on Kirsch has a contrast ratio of 6.60:1 (AA); black text has 3.17:1 (fails for body text). WCAG AA needs 4.5:1 for body text and 3:1 for large text and interface parts. Red and green are the pair most often confused in color blindness, so never use this color alone to mean success or error: add an icon or label.

ShadesMixed with black: darker and richer.
TintsMixed with white: lighter and softer.
TonesMixed with gray: quieter and less saturated.
HuesThe same lightness and strength, turned around the wheel.
TemperaturesPushed cooler on the left, warmer on the right.
50#FFF4F3100#FDE5E2200#FDCEC9300#FEA69F400#F8716C500#E04C4A600#B51E27700#9D2427800#7A171B900#5C0D11950#380305
Analogous
Complementary
Split complementary
Triadic
Tetradic
Square

Want to explore these on a wheel? Open the color wheel.

#B51E27
Typical visionAs most people see it
#504825
ProtanopiaReduced sensitivity to red
#746820
DeuteranopiaReduced sensitivity to green
#C80024
TritanopiaReduced sensitivity to blue
#5D5D5D
AchromatopsiaNo color, only light and dark

These are approximations to help you check that meaning never depends on color alone. Real vision varies from person to person.

White textQuote n. 31: there is no such thing as a bad color.
6.60:1
AAAAA
Normal textAAFail
Large textAAAAA
Black textQuote n. 31: there is no such thing as a bad color.
3.17:1
AAAAA
Normal textFailFail
Large textAAFail
Open the contrast checker
#B51E27 Color — closest to Kirsch (HEX, RGB, Shades) · Tintly