← Shades of yellow

≈ Fennelly

#9D986E is closest to Fennelly in our library. Fennelly (#9D986E) is a medium, muted yellow with a warm feel. It has a hue angle of 54° and a lightness of 67%. Its muted saturation keeps it calm and sophisticated, easy to live with in large areas.

#9D986E≈ Fennelly
Conversion

What Fennelly looks like, feels like and where it works.

Description

Fennelly (#9D986E) is a medium, muted yellow with a warm feel. It has a hue angle of 54° and a lightness of 67%. Its muted saturation keeps it calm and sophisticated, easy to live with in large areas.

Psychology

Yellow is the brightest hue and the quickest to attract the eye. It feels cheerful and hopeful, but bright yellows tire the eye in large areas and need dark partners for text. As a mid-toned shade, Fennelly sits comfortably in the middle: present but not heavy.

Meaning

Yellow means sunshine and joy, and also caution: it is the color of warning signs and taxis because it is seen from far away. Muted golds suggest warmth and value.

Why use this color

Fennelly is an easy supporting color. Dark text is easy to read on it, so it works as a surface, highlight or card background. Pair it with its tints and shades for a complete scale.

Applications
  • Highlights, badges and notices
  • Travel and education
  • Warning and caution signs
  • Accents on dark backgrounds
History

Early yellows were ochre and orpiment, an arsenic sulfide. Chrome yellow, introduced in the early 1800s, became famous in Van Gogh's sunflowers.

Accessibility

White text on Fennelly has a contrast ratio of 2.93:1 (fails); black text has 7.15:1 (AAA). WCAG AA needs 4.5:1 for body text and 3:1 for large text and interface parts. Do not rely on color alone to carry meaning: pair it with text, an icon or a pattern.

ShadesMixed with black: darker and richer.
TintsMixed with white: lighter and softer.
TonesMixed with gray: quieter and less saturated.
HuesThe same lightness and strength, turned around the wheel.
TemperaturesPushed cooler on the left, warmer on the right.
50#F7F7F2100#EDECE1200#DEDCC8300#C6C2A4400#9D986E500#8D885E600#75704A700#5D5938800#474329900#34311C950#1D1B0C
Analogous
Complementary
Split complementary
Triadic
Tetradic
Square

Want to explore these on a wheel? Open the color wheel.

#9D986E
Typical visionAs most people see it
#A0956B
ProtanopiaReduced sensitivity to red
#A19870
DeuteranopiaReduced sensitivity to green
#A4928D
TritanopiaReduced sensitivity to blue
#979797
AchromatopsiaNo color, only light and dark

These are approximations to help you check that meaning never depends on color alone. Real vision varies from person to person.

White textQuote n. 31: there is no such thing as a bad color.
2.93:1
AAAAA
Normal textFailFail
Large textFailFail
Black textQuote n. 31: there is no such thing as a bad color.
7.15:1
AAAAA
Normal textAAAAA
Large textAAAAA
Open the contrast checker
#9D986E Color — closest to Fennelly (HEX, RGB, Shades) · Tintly